43 independent record labels 1950s

Ch. 6: Independent Record Labels - AmPopMusic It was left to local and regional labels, like Chess in Chicago, Sun in Memphis, Atlantic in New York, Savoy in New Jersey, Duke in Houston and others to record, press and promote the new sounds of the '40s and '50s. Muddy Waters, Chuck Berry and Elmore James all got their start at Chess. At the Margins of Music: The Early LPs of Prestige Records Founded in 1949 by Bob Weinstock, Prestige's growth into a leading independent jazz label coincided with the industry-wide transition to the LP. The label's experimentation with variations of the LP format offers a glimpse into the creative and experimental business practices that characterized the 1950s record industry.

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Independent record labels 1950s

The Independent Record Labels of the 1950's and 1960's The Independent Record Labels of the 1950's and 1960's Music In Music, Music And The Music Industry. Music connects to my business major through its relations of marketing,... Music And Its Impact On Development Of Musical Performances And Production. The word "Indie" is a term derived from the... ... The Independent Record Companies - History of Rock The small independent record companies that dominated the rhythm and blues market in the late 1940s and early 1950s relied on payola, which wasn't a Federal crime, in order to compete and get their records on the radio.With the coming of rock and roll the number of small recorded companies increased increasing competition in getting their records heard and payola simply became a necessary evil. Independent Labels in the 1980s: Between the Underground and the Ma... In the 1950s, Ember Records specialised in jazz, while from the mid to late 1960s the label Immediate concentrated on blues artists such as John Mayall and Fleetwood Mac (although groups such as the Small Faces were also on its roster). Again, artists were given much more autonomy than they would have been granted by a major.

Independent record labels 1950s. The Independent Record Labels Of The 1950'S... | Term Paper Warehouse The Independent Record Labels of the 1950's and 1960's History of Music Production Eric Eller Throughout the 1950's and 1960's, a wave of new musical movements by independent record labels and new artists emerged in the United States. Music Industry History 1920s - Playlist Research History of Record Labels and the Music Industry: 1920s by Alex Cosper Introduction 1900s 1910s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s see also American Radio History 1920s - Brunswick emerged as the most successful new independent label following the post-World War I boom of new record labels. In 1925 Brunswick became even bigger ... Independent record label - EverybodyWiki Bios & Wiki An independent record label (or indie label) is a record label that operates without the funding of major record labels. Many artists begin their careers on independent labels. Contents. 1 Overview; 2 History; 3 See also; ... In the late 1940s and into the 1950s, ... Record labels that rocked our world - The Independent Blue Note's golden age was in the 1950s and 1960s, when it released records by the cream of US jazz musicians and composers: trumpeter Lee Morgan, pianist Sonny Clark and tenor sax player Dexter...

Independent record label - Wikipedia The following is a list of notable independent record companies and the creatives/founders behind the labels: Savoy Records (US, 1942- ); Apollo Records (US, 1943- ); New York Sun Records (US, 1950- ); was the first label to record Elvis Presley and other big names in early rock 'n roll. Allied ... 21st Century Jazz Record Labels - Jazzfuel Origin Records. Seattle-based independent jazz label Origin Records was founded in 1997 by drummer John Bishop with the mantra of being run for ... producer and drummer Gerry Teekens decided to provide a home for straight ahead jazz stars of the 1950s and '60s at a time when fusion had become the dominant style. Early releases included ... The Rise and Fall of Record Labels - Claremont Colleges completed all of their contractual obligations to its record label EMI. In its announcement, the band announced that it was receiving most of its profit from merchandise and concert tickets, and due to this they would be seeking to release their next album independent of any record label1. This would be the first time that any band The Independent Record Labels of the 1950's and 1960's "Due to Tom Dowd's technical prowess, (Atlantic Records) was one of the first independent labels to record in stereo" (HMP, Ch III). Atlantic was formed in 1947 by Ahmet Ertegun, son of a Turkish ambassador, and Herb Abramson. It started out as a Rhythm and Blues and Jazz label. In the early 1950's Jerry Wexler and Nesuhi Ertegun joined the team.

The Independent Labels - University of Idaho Some of the most important labels were Atlantic, Chess, Elektra, Imperial, King, Specialty, and Sun Records, followed later in the 1950s by Stax and Motown. Atlantic Records was established in 1947 by Ahmet Ertegun and Herb Abramson and focused on recording black rhythm and blues artists. Among the early musicians that recorded for this label were Ruth Brown, Big Joe Turner, Ray Charles, and Clyde McPhatter and the Drifters. Recording Industry - Part 3: Independent Labels Find Success - NCpedia Colonial Records of Chapel Hill was undoubtedly the most successful of the independent record companies in North Carolina. Its owner, Orville Campbell, kept the label in business from 1948 to 1965, releasing a wide variety of recordings from bluegrass and country to pop, novelty, comedy, folk, and early rock 'n' roll. 10 Black Owned Record Labels We Don't Discuss Enough Black Swan Records. Black Swan Records was a jazz and blues-based label founded in 1921 by a black music businessman named Harry Pace. The label, known as the first black-owned record label, was named after Elizabeth Greenfield, a famous 19th-century black vocalist who was referred to as "the black swan" because of her voice. What's in a Label: A Look at Atlantic Records | Discogs An alternate, less aggressive logo and label adorned Atlantic's first long-playing records of the 1950s in black, gray, green, gold, and yellow tones, but the first significant design change came at the end of the decade with the addition of a trademarked "Fan Logo" surrounded by a white circle and borders matching pink and orange, green ...

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The Independent Record Labels Of The 1950s And 1960s ... The independent record labels of the 1950s and 1960s - quite Bidding has ended on this item. United Kingdom See exclusions Import charges: estimated and based on current bid To be provided at checkout Postage help - opens a layer This amount includes applicable customs duties, taxes, brokerage and other fees.

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Category:Record labels established in 1950 - Wikipedia Categories: Record labels established in the 1950s. Entertainment companies established in 1950. Mass media companies established in 1950. 1950 in music. Record labels by year of establishment. Hidden categories: Navseasoncats year and decade.

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Chapter 5: The Reaction to Rock 'n' Roll Flashcards - Quizlet How did the major record companies contribute to the rise of independent record companies in the 1940s and 1950s? ... Which style of music did major record labels promote in an attempt to divert popular tastes away from rock 'n' roll in the 1950s? ... By the late 1950s, the television show that had become one of the most important promotional ...

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Independent record labels and producers | Britannica Although the term producer did not come into currency until the mid-1950s, several arrangers had been performing that function for 10 years by then, most notably Maxwell Davis in Los Angeles, Dave Bartholomew in New Orleans, Louisiana, Willie Dixon in Chicago, Henry Glover in Cincinnati, and Jesse Stone in New York City.

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Independent Record Labels of the Early Rock Era Independent Record Labels of the Early Rock Era By Year Founded 1942 o o Savoy (Herman Lubinsky) Newark, Newark, New, Jersey o o Beacon (Joe Davis) New York, New York o o Excelsior (Leon & Otis Rene) Los Angeles (Exclusive in 1944) 1943 o o Apollo (Ike & Bess Berman) New York, New York o o Premier (Robert

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Music Industry History 1950s - Playlist Research 1950s - In the early 1950s the big five major record labels were Columbia, RCA Victor, Decca, Capitol and Mercury. Capitol had risen to being the fourth biggest label in 1955 when EMI, the biggest UK record operation, bought Capitol for $8.5 million. the market share for major labels fell dramatically.

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Independent record label Wiki - everipedia.org An independent record label (or indie label) is a record label that operates without the funding of major record labels; they are a type of small to medium-sized enterprise, or SME. The labels and artists are often represented by trade associations in their country or region, which in turn are represented by the international trade body, the Worldwide Independent Network (WIN).

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The Independent Record Labels of the 1950Ã¢â‚¬â„¢s and 1960Ã¢â‚¬â„¢s The supreme file Labels of the 1950s and 1960s History of Music Production Eric Eller Through come forward the 1950s and 1960s, a wave of ...

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The Independent Record Labels of the 1950's and 1960's Eric Eller Throughout the 1950's and 1960's, a wave of new musical movements by independent record labels and new artists emerged in the United States. This movement is captured in the stories of those label creators and owners, and in the turbulent journey through their successes and failures.

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Independent Labels in the 1980s: Between the Underground and the Ma... In the 1950s, Ember Records specialised in jazz, while from the mid to late 1960s the label Immediate concentrated on blues artists such as John Mayall and Fleetwood Mac (although groups such as the Small Faces were also on its roster). Again, artists were given much more autonomy than they would have been granted by a major.

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The Independent Record Companies - History of Rock The small independent record companies that dominated the rhythm and blues market in the late 1940s and early 1950s relied on payola, which wasn't a Federal crime, in order to compete and get their records on the radio.With the coming of rock and roll the number of small recorded companies increased increasing competition in getting their records heard and payola simply became a necessary evil.